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Post by vincentaugustemanet on Mar 5, 2015 20:55:36 GMT -5
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Post by vincentaugustemanet on Mar 5, 2015 21:00:36 GMT -5
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Post by vincentaugustemanet on Mar 5, 2015 21:16:15 GMT -5
In "The Artist's Studio; A real allegory summing up seven years of my artistic and moral life" 1854-55, Courbet takes aim OUTSIDE OF the Salon influencing next Manet, the father of the impressionists. On the left one finds Gustav's subject, the poor, destitute, real Parisians and even the French Second Emperor Napoleon III. In the middle, an obtuse self-portrait oblivious to youth, frivolity, and even the muse. Silenced by the 'taste' of the Salon he represents the poor as a landscape! At his back he is supported by a cast including patrons and Baudelaire.
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Post by vincentaugustemanet on Mar 5, 2015 22:05:43 GMT -5
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Post by vincentaugustemanet on Mar 5, 2015 22:12:03 GMT -5
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Post by vincentaugustemanet on Mar 5, 2015 22:18:07 GMT -5
Ingres Reclining Venus
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Post by vincentaugustemanet on Mar 5, 2015 22:20:16 GMT -5
Ingres Apotheosis of Homer
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Post by vincentaugustemanet on Mar 5, 2015 23:50:10 GMT -5
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Post by vincentaugustemanet on Mar 6, 2015 15:03:49 GMT -5
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Post by vincentaugustemanet on Mar 6, 2015 15:21:40 GMT -5
Manet paints his muse as prostitute and you as the vagrant passerby. You are a joyrider in the same anticipation that ultimately lead (presumably) to Manet's own death from syphilis. Welcome to the jungle, Paris 1863.
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Post by vincentaugustemanet on Mar 6, 2015 15:41:52 GMT -5
If Baudelaire and Courbet are the intellectual fathers of Impressionism, then how can a movement founded in art history be aligned as foil against Ingres' Classicism? Truly the above is completely Pre-Impessionist. Below, see the student painting on the bottom left? Henri Fantin-Latour - A Studio at Les Batignolles
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Post by vincentaugustemanet on Mar 6, 2015 15:58:10 GMT -5
Now the pupil, Manet paints his teacher. The Monet family in their garden at Argenteuil, Edouard Manet 1874
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Post by vincentaugustemanet on Mar 6, 2015 16:09:09 GMT -5
Nor Giorgione's Venus or Manet's prostitute again. Introducing, the man framed in Fantin-Latour's classroom... Pierre-Auguste Renoir Le dejeuner des canotiers, 1881 Madame Georges Charpentier and Her Children, Georgette–Berthe and Paul–Émile–Charles, 1878 (the little one on the couch is a boy, cultural gender roles says hai) The Large Bathers, 1887
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Post by vincentaugustemanet on Mar 13, 2015 7:18:25 GMT -5
have you tried to give what i ask you for faded hatred today again i me
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Post by vincentaugustemanet on Mar 13, 2015 7:31:36 GMT -5
inked blue fades to gunmetal like copied forms 12 the shape of line falls crass upon your crown 10 tomorrow the memory of your smile shines an idea 15 will you forgive votre spectre et nuance? 11
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